a5c7b9f00b When the crew of the Enterprise learn of a Federation conspiracy against the inhabitants of a unique planet, Captain Picard begins an open rebellion.
Engage! Captain Jean-Luc Picard and his Next Generation crew are back. From the beginning of the Federation, the Prime Directive was clear: no Starfleet expedition may interfere with the natural development of other civilizations. But now Picard is confronted with orders that undermine that decree. If he obeys, 600 peaceful residents of Ba'ku will be forcibly removed from their remarkable world, all for the reportedly greater good of millions who will benefit from the Ba'ku's Fountain of Youth-like powers. If he disobeys, he will risk his starship, his career, his life. But for Picard, there's really only one choice. He must rebel against Starfleet… and lead the insurrection to preserve Paradise.
I read somebody ranting about the &#39;selfishness&#39; of the people who would not give up their land (although actually, they were never asked, but that&#39;s by the by) for the &#39;common good&#39;. A good contemporary analogy is to Native Americans being kicked out of their homes for oil. Everyone benefits from oil. However, the moral of this movie directly refers to forced relocation. Destroy the people and their culture for material gain (not &#39;prevent endless suffering&#39;).<br/><br/>There is an environmentalist point interwoven here too. Destroy the world for gain (let&#39;s say the oil was actually…oh, right, there isn&#39;t a better analogy)-this is science fiction-the resource is &#39;health juice&#39;- find some other way to become healthier rather than destroy a people and its culture.<br/><br/>Anyway, the only problem I had with this movie was pacing. I wanted more Anij and Picard, to take it the sights a bit more. Even slightly longer lingering shots of spaceships shooting each other. I thought the battles were taught and rhythmic though–you don&#39;t need one hundred ships for a good movie battle. Probably too many characters requiring screen time. You don&#39;t need to give EVERYONE deep character development-so, more Data, or more Troi/Riker.<br/><br/>But it was all there. The action and plot made sense. There were no holes. I thought the &#39;insurrection&#39; was not a real insurrection first time round (even the writer thought he could have slotted in a Starfleet ship or something to make it look like the crew was fighting their bosses), but the interaction with the admiral and Picard covered that. Link to &#39;Magnificent Seven&#39; was amusing. (Caves were a reasonable hideout-anything more, which is what they wanted, would not have fitted in with &#39;natural planet&#39;.
This TNG film is underrated and it focused on the problem of dislocating a few people to satisfy the demands of a much larger group of people. In the past, Native Americans were scooted off of their land to satisfy the demands of larger populations of white people and this caused problems. The Son&#39;a and parts of the federation wanted to move the 600 Ba&#39;Ku to satisfy the demands of billions of people to use the fountain of youth from the planet. The Son&#39;a were obsessed with retaining youth and would go to extreme lengths to be young again with extreme cosmetic surgery. This is something people have felt form time armorial of not wanting to grow old. I like the use of the Bussard collectors on the Enterprise-E&#39;s nacelles and how Picard was rescued as the Son&#39;a Collector was being destroyed.
The maturity of the Star Trek saga and its remarkable fan base have combined to produce a polished film that shines like a crown jewel in the Star Trek firmament.
Tricked by a race of aliens called the Son&#39;a, Starfleet has ordered the Enterprise to conduct a stealth surveillance of a peaceful, almost medieval race known as the Ba&#39;ku. However, a malfunction in Lieutenant Commander Data&#39;s (<a href="/name/nm0000653/">Brent Spiner</a>) circuitry causes him to expose both himself, the surveillance team, and duckblind operation set up by Starfleet. Admiral Dougherty (<a href="/name/nm0001875/">Anthony Zerbe</a>) orders Captain Jean-Luc Picard (<a href="/name/nm0001772/">Patrick Stewart</a>) to stop Data and leave the planet, but Picard rescues Data and intervenes with the Ba&#39;ku to explain their presence. To their amazement, they discover that the Ba&#39;ku are not a pre-technological race, rather that they rejected technology to live a simple life, and that the Federation and the Son&#39;a plan to remove the Ba&#39;ku from the planet in order to tap the &quot;metaphasic radiation&quot; being emitted by their planet&#39;s rings, Picard decides to defend the Ba&#39;ku in direct violation of Starfleet orders in order to uphold the principles upon which the Federation was founded. The Enterprise-D crew is back: Besides Captain Picard and Lt Commander Data, look for Commander Will Ryker (<a href="/name/nm0000408/">Jonathan Frakes</a>), Lieutenant Commander Geordi LaForge (<a href="/name/nm0000996/">LeVar Burton</a>), Lieutenant Commander Worf (<a href="/name/nm0000373/">Michael Dorn</a>), Dr Beverly Crusher (<a href="/name/nm0000533/">Gates McFadden</a>), Counselor Deanna Troi (<a href="/name/nm0000642/">Marina Sirtis</a>), and <a href="/name/nm0000854/">Majel Barrett</a> (as the voice of the Enterprise computer). Insurrection is the act of rising in revolt, rebellion or resistance against civil authority or an established government or, in the text of this movie, Starfleet Federation. It takes place in the year 2375 A.D. Geordi discovers memory engrams implanted in Data&#39;s neural net. He believes the damage was caused by a Son&#39;a weapon that was fired before Data malfunctioned, not after—as the Son&#39;a claim. In the movie, metaphasic radiation as generated by the rings around the Ba&#39;ku planets has regenerative properties. It prevents adults from growing old. For example, Anij (<a href="/name/nm0614220/">Donna Murphy</a>) and Sojef (<a href="/name/nm0446298/">Daniel Hugh Kelly</a>) claim to be over 300 years old. Dr Crusher finds that those who have been on the planet for even a short time show increased metabolism, improved muscle tone, and high energy. Troi and Beverly find that their boobs are starting to firm up. Geordi gets his eyesight back. Troi and Ryker resume a relationship they left years ago. Picard&#39;s facial skin begins to tighten, although he doesn&#39;t begin to grow hair again. Basically, Ru&#39;afo (<a href="/name/nm0000719/">F. Murray Abraham</a>) was getting a face lift. His facial skin was being stretched and re-attached to his head. In order to stop Ru&#39;afo from unleshing the radiation collector, Picard has a replica of the radiation collector ship set up in the holoship, and Gallatin (<a href="/name/nm0001344/">Gregg Henry</a>) disables the ejector assembly. When Ru&#39;afo goes to eject it, everything goes exactly as they planned, until they notice no change in the metaphasic flux level. Realizing he has been tricked, Ru&#39;afo transports to the collector ship and overrides the new sequence. Unfortunately Gallatin cannot override Ru&#39;afo&#39;s new sequence without his access codes, so Picard beams over to the collector ship himself. While dodging Ru&#39;afo&#39;s phaser, Picard manages to reset the manual control. Seconds before the collector is set to eject, Picard ignites the exhaust and blows up the ship, just as Riker beams him back aboard the Enterprise. With only three minutes of air left on the Son&#39;a ship, Picard beams over Worf, the Son&#39;a crew, and the captive Ba&#39;ku.. Later, after everyone has returned to the Ba&#39;ku planet, Picard, Anij, and Sojef watch Gallatin reuniting with his mother. Picard and Anij say goodbye, but Picard promises to take his 318 days of shore leave and return for a visit. In the final scene, Data is shown playing in the haystacks with Artim (<a href="/name/nm0919616/">Michael Welch</a>). The two &#39;children&#39; say goodbye to each other, and the Enterprise crew beam back to their own ship. Yes, a novelization of the movie by American science fiction writer J.M. Dillard (pen name for Jeanne Kalogridis), was released in 1998. So far, there are 13. Star Trek: Insurrection is preceded by <a href="/title/tt0079945/">Star Trek: The Motion Picture (1979)</a> (1979), <a href="/title/tt0084726/">Star Trek: The Wrath of Khan (1982)</a> (1982), <a href="/title/tt0088170/">Star Trek III: The Search for Spock (1984)</a> (1984), <a href="/title/tt0092007/">Star Trek IV: The Voyage Home (1986)</a> (1986), <a href="/title/tt0098382/">Star Trek V: The Final Frontier (1989)</a> (1989), <a href="/title/tt0102975/">Star Trek VI: The Undiscovered Country (1991)</a> (1991), <a href="/title/tt0111280/">Star Trek: Generations (1994)</a> (1994), and <a href="/title/tt0117731/">Star Trek: First Contact (1996)</a> (1996). It is followed by <a href="/title/tt0253754/">Star Trek: Nemesis (2002)</a> (2002), <a href="/title/tt0796366/">Star Trek (2009)</a> (2009), <a href="/title/tt1408101/">Star Trek: Into Darkness (2013)</a> (2013), and <a href="/title/tt2660888/">Star Trek: Beyond (2016)</a> (2016). Worf was having a nightmare about his deceased Trill wife Jadzia Dax, who was killed by Gul Dukat in Deep Space Nine episode <a href="/title/tt0708610/">&quot;Tears of the Prophets&quot;</a> (1998), which takes place shortly before Insurrection.
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